Showing posts with label aliens. Show all posts
Showing posts with label aliens. Show all posts

Monday, May 12, 2014

Night of the Creeps (1986)

I had high hopes for this one because I'm a huge fan of The Monster Squad (1987) and Night of the Creeps was the first film for the Monster Squad's director Fred Dekker (House[1986], Robocop 3[1993]). Night of the Creeps is a wonderful cross genre film, with parts of it fitting into Sci-fi, horror, comedy, action, romance, slasher,  and everything in between. Night of the creeps is one part tribute to 50s Sci-Fi B films, one part teen scream (horror movie that appeals to teens), one part parasitic alien film, one part detective film, and one part crazy Animal House-esque comedy. With all those areas to cover it would be fairly easy to mess up in any one of them or have the film not feel like a whole, but Dekker wrote a phenomenal screenplay for the film and never at any point do the films different genre components take away from the strength of the plot or the film as a whole. This is as classic as 80s movies get, the movie has all the classic 80s sterotypes but at the same time it has so many things most 80s movies, or movies in general for that matter, don't have. The film's highlights include a wonderful wise cracking character who happens to be crippled (you don't so many disabled people in movies in general and this film creates a wonderful character who's strong despite his affliction), great catchy phrases from the detective character (every time he answers a phone or acknowledges someone he says "Thrill Me!"), killing zombies with Flame Throwers, explosions, lawn mowers and more, puppet aliens, great special effects and wonderful Animal House inspired Frat antics.  The plot is that parasitic aliens have gotten lose into town the night of the college's formal dance, there's a lot more to it than that but it's best to just see it. Sure there were some parts where the acting is poor or some lines that make no sense (such as the detective shouting "it's Miller time!" while killing a zombie), but overall the screenplay is absolutely wonderful, and so are the actors. The special effects were made by some of the soon to be greatest make-up and special effects artists in Hollywood. Everyone usually raves about the actor Tom Atkins and his performance as the hard boiled detective in this movie, and while I love his character and his dialogue, I don't think it's a role that couldn't have been pulled
off just as well by another actor, though this is probably his best loved role. This film is a huge cult classic and ultimately was denied success in its time like so many genre bending films because people didn't know how to market it. The film is also insanely quotable with my favorite line being the one that is echoed in the poster up there: "I've got good news and bad news girls, the good news is your dates are here" "What's the bad news?" "They're dead." The film has endured over the years because of its intense cult following, and we can only hope that they will keep it around for as long as films can be accessed on one format or another. I give it a 5/5. The movie is featured in Rue Morgue Magazine's 200 Alternative Horror Films You Need to See book, and you can watch the trailer below:

Thursday, March 6, 2014

John Carpenter's The Thing (1982)


I finally saw John Carpenter's version of The Thing. I was a big fan of the 50s original The Thing From Another World (1951), plus I'm not a big fan of gore and I knew this movie was very bloody and I saw some of the special effects when I was younger, and got freaked out, so that made me hesitant to watch this for a while. But I really enjoyed this version. The story of course is about a team of scientists working in Antarctica when some Norwegians and a stray dog, the one living Norwegian is killed by the scientists who mistakenly think he was shooting at them when he was actually shooting at the dog. The scientists then
 take the dog into their camp and all the trouble begins when they discover "the dog" is actually a shape-shifting alien that can take over anyone's identity, also taking over  their body while doing so. This film has marvelous pacing and only a handful of scenes with the alien so as to create maximum suspense and scares. The film also has a marvelous cast with Kurt Russell as the lead, and Wilford Brimley ( the "diabeetus," guy) Keith David and several other great character actors as well. This movie is known for having some of the greatest special effects of all time, and  more than 30 years after its release I'd say they are still impressive and very unique. The 80s were the perfect time for The Thing to be remade, for one thing they now had much more impressive effects to make the monster scary and show it more often, and also the story's use as an allegory for fear of communism and the Russians was extremely fitting for the 80s as well. The original Thing From Another World has been argued by many to be an allegory for McCarthyism, and when you think about it, it  makes sense; Senator McCarthy was accusing everyone of being communist  even if they just knew people who were communist, they were assumed to
be communist also, just like in The Thing when people are assumed to be the Thing if they were in contact with that person, and citizens were asked to keep an eye on their friends and neighbors just like the characters in both versions of The Thing were. Also the 1980s was when the U.S.'s fear of/rivalry with Russia was at its peak, so the 1980s was a very apt time for a remake of The Thing, the film even ends with an ending that is symbolically a  prediction/warning about communism similar to Dr. Seuss' Butter Battle Book (1984) (I don't want to give away the ending however so if you are unfamiliar with that story you can look it up). All in all I was very impressed with The Thing and I give it a 5/5, You can view the trailer below:

Sunday, January 26, 2014

Repo Man (1984)

This is a wacky cult film in the same vibe as Fear and Loathing in Las Vegas or the Big Lebowski. Emilio Estevez plays an angsty rebellious punk youth dissatisfied with society who finds himself on the inside of the seedy world of Repo Men. A lot of the movie is just kind of like an episode of Seinfeld or a more eventful version Dazed and Confused; The movie jumps back and forth switching its focus from Estevez to the other repo men, to a bunch of criminals. a mysterious government agency, and a strange man driving a Chevy malibu which all the character slowly become focused on and in search of. The Chevy malibu contains a strange energy source in its trunk which emits a bright light that vaporizes anyone who opens the trunk.The movie slowly becomes more and more about aliens and has an apropriately wacky climax sequence with a flying car. This film can either be taken at face value as just a fun wacky viewing, but it can be analyzed as something deeper than that too. This film contains a lot of social commentary about youth and teen angst, as well as political commentary on the US in the 80s, the economy, and a message of anti-conformity, in my mind justifying why this one's a part of the Criterion Collection. This is a good one and the director received a lot of acclaim and praise for this film in which he showed great potential of things to come, but though he did the acclaimed Sid and Nancy (1986) and Walker (1987), this director never achieved the level of fame he deserved. Cox would go on to write and direct a film called Straight to Hell (1987), which was a western starring The Irish rock legends The Pogues, Joe Strummer (lead singer of The Clash), Courtney Love, Elvis Costello, Dennis Hopper Grace Jones, and Jim Jarmusch, as well as writing an unused screenplay for Fear and Loathing in Las Vegas (1998), and he was also originally considered to direct the original Robocop (see here). Even though I didn't love it and some of its logic was a bit too unbelievable, it fit with the weirdness of the film.  It also has a great punk rock soundtrack featuring the likes of Iggy Pop and The Circle Jerks. I give it a 4.5/5. P.S. you also never find out what's in the trunk, which in my mind is what I think Pulp Fiction was referencing with its briefcase, but I've heard other theories about the briefcase so it's just a hunch. You can view the trailer below:

Sunday, January 19, 2014

Communion (1989)




Only Christopher Walken could be completely incoherent when he's supposed to be sane and nearly completely understandable when his character's supposed to be batshit crazy, in other words, as his character gets progressively crazy, walken in his portrayal of the character becomes more coherent. This story is unique and very interesting, it's about an entire family (and group of friends) who were abducted by aliens at the same time only to think it was all a dream til much later when they realize it was real. The film is based on a book which is based on a true story but in the "true story" only Walken's character was abducted. The embellishment was an
improvement however, and the film does a marvelous job using no post-editing special effects whatsoever and is one of the last films ever to do so (meaning no CG, and whatever effects you see, happened live in front of the camera). The film is really confusing and I mainly give it a lower rating just because of that, it didn't really have much of a flow to it. Walken's acting when his character starts to "go crazy" was arguably one of his most unhinged roles and was largely improvised (there are dancing scenes with the aliens people!), but his time being "sane" is completely overacted IMO. If you like alien movies I recommend it, otherwise I just recomend reading about it. By the way, this is also the origin of the classic "tearshaped-bug-eyed-alien" look, this film was the first time they were ever depicted as such. The aliens may look fake and rubbery at times, but I felt overall this film did well with the budget they had. I give the film a 3.5/5, this film is featured in Rue Morgue Magazine's 200 Alternative Horror Films You Need to See, and the trailer is below:

Saturday, January 18, 2014

The Crawling Eye (1958)

Though some may love the name it often gets overlooked by serious moviegoers for obvious reasons. Those who look for and enjoy serious dramas the likes of Schindler's List, won't necessarily lean towards a film titled "The Crawling Eye". But here's what you should know about it and why those other people are missing out: The Misfits wrote a song about it, Stephen King is a fan and referenced the film in IT, and John Carpenter said it was a main inspiration for The Fog(1980). The movie was developed from the ruins of a failed British TV series (The Trollenberg Terror) The film is about aliens that hide in a mountain pass always hiding in fog. The aliens start decapitating mountain climbers and prepare for a descent to the village below. The plot is centers around a woman medium who has a psychic connection with the aliens. The film is very well acted, superbly filmed from a cinematography standpoint, and unlike most 50s "B-movies" it is very logically sound. The movie's feel is similar to Hitchcock's Spellbound (1945) or The original version of The Thing (1951 aka The Thing from Another World). Just like classic creature films like Cat People (1942) rarely do you ever see the monster, until the end. This is also probably one of the first films to cover the subject of decapitation, and it did a really good job with the special effects (ahead of most 1950s standards). Mystery Science Theater 3000 did do an episode on this movie, but trust me it's still legit. I give it a 4.5-5/5, I'd advise against watching the trailer because it shows the monster, and in my opinion knowing what the monster looks like is worth waiting for. This film is featured on Rue Morgue Magazine's list of 200 Alternative Horror Films You Need to See.

Critters (1986)

Not much to say about this one, it was ok but I don't see why it had 3 sequels. Special effects were good but there are better 80s creature horror comedies out there like Gremlins (1984). I give it a 3-3.5/5 (trivia: Leonardo Dicaprio's first movie was Critters 3). Trailer is below: