featured in all of Jeunet's films) plays the main character, an ex-circus clown looking for a job and a place to live. His character thinks he has found a great deal at the Butcher's tenement, but he will soon realize what danger awaits him. The film takes turns showing off all the tenants in the building and each one of them is somewhat pathetic (though endearing) and funny in their own way. There are two competitive brothers who make novelty toys that make cow sounds, a woman who constantly tries (and fails) to commit suicide in elaborate ways, a down on his luck salesman who designs condoms and sells "rat-calls," and the Butcher's own shy bookish daughter who takes a fancy to the new tenant. The highlights of this film include its great special effects, its bizarre romance between the ex-clown and the Butcher's daughter (they play a musical duet for cello and "singing" saw), its incredible wit (I found myself laughing out loud to this one several times), and the fact it maintains an inspiring "wide-eyed" innocence in a seemingly bleak world. Make no mistake this is a weird one, and quite often some of the laughs come from the sheer weirdness of the film, but I found it thoroughly unique and enjoyable. Delicatessen was to me refreshingly uplifting drink of water, in the midst of a sea of dark and gritty films with bleak outlooks on life. Delicatessen shows that there is hope no matter how bad life seems. I give it a 5/5. You can watch the trailer here.
The place for recommendations and reviews of classic films, be they well known or little known, usually of the horror or cult classic variety.
Tuesday, February 3, 2015
Delicatessen (1991)
You could call this film a post apocalyptic dystopian Sci-Fi, a Dark Comedy, or a light hearted Romance and you would be correct on all three counts. From the same French director who became most known for the acclaimed and award winning Amelie (also known for City of Lost Children, and Alien: Resurrection) comes this incredibly unique and delightful film. The film takes place in future France (date unspecified though the costumes and props give the film a 1940s feel) after the world has been ravaged by nuclear warfare and farmers can no longer grow crops of any kind (or at least fertile soil and seeds are incredibly hard to come by). So people have now resorted to eating meat, but due to no crops, animals are also hard to come by, so a French landlord who also happens to own a butcher shop hacks up his tenants and sells them to his customers. Despite that description sounding incredibly dark and bleak, I kid you not this film is one of the most whimsical and light-hearted movies I've seen in a long time, possibly ever. This is director Jean-Pierre Jeunet's first film and it has won many awards, won much praise from critics, and is featured in many "greatest films of all time" lists. Jeunet has a very distinct style to all his films, and they usually come off as visually rich, but distinctly French, dark fantasies; This film is no exception. The actor Dominique Pinon (who is
featured in all of Jeunet's films) plays the main character, an ex-circus clown looking for a job and a place to live. His character thinks he has found a great deal at the Butcher's tenement, but he will soon realize what danger awaits him. The film takes turns showing off all the tenants in the building and each one of them is somewhat pathetic (though endearing) and funny in their own way. There are two competitive brothers who make novelty toys that make cow sounds, a woman who constantly tries (and fails) to commit suicide in elaborate ways, a down on his luck salesman who designs condoms and sells "rat-calls," and the Butcher's own shy bookish daughter who takes a fancy to the new tenant. The highlights of this film include its great special effects, its bizarre romance between the ex-clown and the Butcher's daughter (they play a musical duet for cello and "singing" saw), its incredible wit (I found myself laughing out loud to this one several times), and the fact it maintains an inspiring "wide-eyed" innocence in a seemingly bleak world. Make no mistake this is a weird one, and quite often some of the laughs come from the sheer weirdness of the film, but I found it thoroughly unique and enjoyable. Delicatessen was to me refreshingly uplifting drink of water, in the midst of a sea of dark and gritty films with bleak outlooks on life. Delicatessen shows that there is hope no matter how bad life seems. I give it a 5/5. You can watch the trailer here.
featured in all of Jeunet's films) plays the main character, an ex-circus clown looking for a job and a place to live. His character thinks he has found a great deal at the Butcher's tenement, but he will soon realize what danger awaits him. The film takes turns showing off all the tenants in the building and each one of them is somewhat pathetic (though endearing) and funny in their own way. There are two competitive brothers who make novelty toys that make cow sounds, a woman who constantly tries (and fails) to commit suicide in elaborate ways, a down on his luck salesman who designs condoms and sells "rat-calls," and the Butcher's own shy bookish daughter who takes a fancy to the new tenant. The highlights of this film include its great special effects, its bizarre romance between the ex-clown and the Butcher's daughter (they play a musical duet for cello and "singing" saw), its incredible wit (I found myself laughing out loud to this one several times), and the fact it maintains an inspiring "wide-eyed" innocence in a seemingly bleak world. Make no mistake this is a weird one, and quite often some of the laughs come from the sheer weirdness of the film, but I found it thoroughly unique and enjoyable. Delicatessen was to me refreshingly uplifting drink of water, in the midst of a sea of dark and gritty films with bleak outlooks on life. Delicatessen shows that there is hope no matter how bad life seems. I give it a 5/5. You can watch the trailer here.
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