Friday, May 23, 2014

Eyes Without a Face (1959)

I've been told to see this one for years, and I'm glad I finally did. It's one of the most influential horror films ever made, and for good reasons. The bizarre and haunting score for the film was composed by legendary Oscar winning film composer Maurice Jarre (Lawrence of Arabia, Doctor Zhivago), the screenplay was written by the team of Boileau-Narcejac who are known for such film legends as Diabolique (1955), and Hitchcock's Vertigo (1958). The cinematography by Eugen Schufftan (Port of Shadows [1938], The Hustler [1961]) blends the styles of Jean Cocteau (Beauty and the Beast [1946]) with F.W. Murnau (Nosferatu [1922]). John Carpenter has even hinted that the famous Michael Myers' mask was inspired by the woman's mask in Eyes Without a Face, and let's not forget the Billy Idol hit song of the same name that was inspired by the film. Eyes is a french horror film about a doctor who is constantly trying to find a way to restore his daughter's face after she was disfigured in a car accident that he caused. As a result of the accident and her disfigurement, the daughter wears an eerie lifeless doll-like mask. In his search to repair her face however he has sought out experimental alternative methods that science and the medical profession would normally shun, he robs women of their faces in order to transplant them onto his daughter. Although the film's director insists the film's doctor is not a "mad doctor" this film influenced countless mad doctor/scientist movies that came after it. The doctor who at first sees normal turns out to be a cold emotionless sociopath, with no concern
 of his victims. Along with the splendid music and cinematography, the acting is also flawless here. Although the film may seem a little dated (but in a way I can't quite put my finger on) it still stands the test of time feels less dated than some other films of a similar style from its era (Carnival of Souls [1962] for example). The only flaw I could see in this film was that the daughter's mask while great in its effect, was not actually a mask as you could see her lips move whenever she was "wearing" the mask and tried to speak. There were also some times when the film felt a little slow, but I feel as with many art house films, that was intentional and actually added to the unsettling feeling of the film. I give it a 5/5. The film is on the Criterion collection, and thus available on Hulu Plus. The film is also featured in Rue Morgue Magazine's 200 Alternative Horror Films You Need to See. Here's a link to a trailer someone constructed for the film. 
  

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