Hellraiser. The movie is also similar in style to Michael Mann's The Keep. The effects are done very well and there are some gruesome death scenes in this one, but in my opinion they're just gruesome enough to be frightening without be being over the top or disgustingly unwatchable. The other things that make this film so good are it's cinematography (lots of atmospheric lighting shots/effects), it's tense musical score, the screenplay, and surprisingly great performances from everybody too.When I first heard of this movie and read the existing reviews on Rotten Tomatoes about it, I did not think I would like it so much. I have to say other than The Long Kiss Goodnight this is my favorite Renny Harlin movie. Viggo Mortenson is really good in it as a strong but mostly silent highly intelligent prisoner. The movie was previously unreleased on DVD and had a very limited VHS release so it was fairly hard to find until recently when Shoutfactory recently released it on Blu-ray and DVD. I give Prison a 4.5/5 and highly recommend this underrated and lesser know horror gem. You can watch the trailer here.
The place for recommendations and reviews of classic films, be they well known or little known, usually of the horror or cult classic variety.
Showing posts with label supernatural horror. Show all posts
Showing posts with label supernatural horror. Show all posts
Monday, May 16, 2016
Prison (1987)
In Hollywood most actors director and writers start out in horror (or depending on how well their career went, end in horror). Prison is an early film for action film director Renny Harlin (Cliffhanger, DIe Hard 2, Long Kiss Goodnight) Aragorn himself Viggo Mortenson. Prison is a supernatural horror film about an old defunct prison from the 1930s-60s being opened again to house inmates while the new prison facility is being constructed/renovated. However in reopening the old prison, the spirits of many a former inmate come back to cause mayhem particularly for the staff of the "new" prison. The best way for me to describe this movie is to call it a mix between the Shawshank Redemption or The Green Mile and
Tuesday, March 4, 2014
The Legend of Hell House (1973)
I love writer Richard Matheson, he wrote I Am Legend, What Dreams May Come, Duel, 16 of the most famous episodes from the original Twilight Zone, he also wrote the material that became Kolchak: The Night Stalker (the movies and the show). So when I heard about this haunted house story I immediately put to the top of my "must see" list. The story is eerily similar to the movie The Haunting, and its source material The Haunting of Hill House, both stories are about a group of four or five paranormal investigators going to study the activity in the stories' titular houses (their names are only different by one letter). Hell house is characterized in the novel as "the Mount Everest" of haunted houses. The main difference in the two stories is that Legend of Hell House is set in England, and the entire cast is British (even though the novel is originally set on the U.S. east coast just like The Haunting). Both
the films' source material was released in the same year, 1959. The film is also pretty similar to another British film, The Stone Tape (1972) that was a BBC made for TV movie about a record company based out of an old mansion encountering ghosts and eventually doing experiments on/with the ghosts. Where Hell House really stands out among the rest however is in some of the things it was the first to do in horror movies; All the ghost movies before it focused on subtlety, even though The Haunting still one of the scariest films ever made to this day, with the exception of one character dying at the end of the film, nobody was noticeably attacked on-screen, that's not the case in Hell House. The Haunting's ghosts did bother and mess with and potentially try to hurt its guests, Hell House has a team of investigators go in knowing that a previous attempt to "cleanse" the house had been made, and only one person survived that attempt. Also the house makes no mistake about its intentions to its "guests," it posesses one of the mediums and warns them all very clearly "I will kill you all!" and then attacks the person in charge and very nearly does kill him. This film came out the same year as The Exorcist, but Hell House came out that summer as opposed to the winter when The Exorcist was released, thus making Hell House one of the first times a character was very noticeably demonically possessed on film. The film also marks the first time (as far as I know) that a character has sex with a ghost. The acting is superb with a cast led by Roddy McDowall (Planet of the Apes, Fright Night), and the film is directed by John Hough the same guy who would go on to direct other supernatural classic Sci-fis Escape to Witch Mountain (1975), and Watcher in the Woods (1980), that being said the film has a similar feel and will not be a dissappointment to fans of those films. The film is not as scary as I expected, but in its own innovative way it was pretty badass. I recommend it and give it a 4.5/5, you can view the trailer below:
the films' source material was released in the same year, 1959. The film is also pretty similar to another British film, The Stone Tape (1972) that was a BBC made for TV movie about a record company based out of an old mansion encountering ghosts and eventually doing experiments on/with the ghosts. Where Hell House really stands out among the rest however is in some of the things it was the first to do in horror movies; All the ghost movies before it focused on subtlety, even though The Haunting still one of the scariest films ever made to this day, with the exception of one character dying at the end of the film, nobody was noticeably attacked on-screen, that's not the case in Hell House. The Haunting's ghosts did bother and mess with and potentially try to hurt its guests, Hell House has a team of investigators go in knowing that a previous attempt to "cleanse" the house had been made, and only one person survived that attempt. Also the house makes no mistake about its intentions to its "guests," it posesses one of the mediums and warns them all very clearly "I will kill you all!" and then attacks the person in charge and very nearly does kill him. This film came out the same year as The Exorcist, but Hell House came out that summer as opposed to the winter when The Exorcist was released, thus making Hell House one of the first times a character was very noticeably demonically possessed on film. The film also marks the first time (as far as I know) that a character has sex with a ghost. The acting is superb with a cast led by Roddy McDowall (Planet of the Apes, Fright Night), and the film is directed by John Hough the same guy who would go on to direct other supernatural classic Sci-fis Escape to Witch Mountain (1975), and Watcher in the Woods (1980), that being said the film has a similar feel and will not be a dissappointment to fans of those films. The film is not as scary as I expected, but in its own innovative way it was pretty badass. I recommend it and give it a 4.5/5, you can view the trailer below:
Monday, February 24, 2014
The Sentinel (1977)
The Sentinel was dismissed by many when it came out as a kind of knockoff of The Exorcist (1973), or being a kind of combination of similar supernatural horror films like The Omen (1976) or Rosemary's Baby (1968) but I found it a very unique, scary, and interesting story, as well as a well made and possibly influential film. The story centers around a woman who rents out an apartment in New York only to learn her apartment building is the gateway to hell, and the building is owned by secret group of priests who are in charge of guarding it and making sure hell's evil is never unleashed. The film is directed by Michael Winner (of the Death Wish series), and the screenplay was written by the author of the novel the film was based on, the film also has a fantastic musical score by Gil Melle (The Andromeda Strain, and several famous TV show themes from the 70s & 80s), and one of the most star studded casts that have ever been in a horror movie,
featuring many up and coming stars as well as falling ones: Chris Sarandon, Burgess Meredith, Ava Gardner, Jose Ferrer, Arthur Kennedy, Martin Balsam, John Carradine, Eli Wallach, Christopher Walken, Jeff Goldblum, Tom Berenger, Richard Dreyfuss (as an extra), Sylvia Miles, and Beverly D'angelo. This film's story may strike some of you reading about it as similar to Ghostbusters, and it is, (an apartment building in New York is used to resurrect a demon to end the world) and this movie also has a similar look and feel to Ghostbusters as well, but that only adds to the enjoyment for me because I have always wanted to find a movie with a similar vibe to it. The film is very visually striking; There are Terrifying dream sequences, and some almost iconic shots of John Carradine (his face is on the DVD cover/movie poster), and the apartment building is very old and full of character, and a lot of the rooms in the building are very lavishly furnished, also throw in the fact that the main character is a fashion model and her boyfriend's a rich lawyer, and the film has a lush cosmopolitan vibe. The film's story is very interesting to me and I wish I could say more, but I don't want to give away anything. The film is also pretty scary actually. My only gripe with this one is that during its climax when the legions of hell awake most of them are physically disfigured. Now I'm not sure what kind of message the film was trying to send with that imagery, but when I see disabled veterans and people suffering with horrible physical deformities, I don't know about you but I don't see those people as the inhabitants of hell, so I'm not sure if that was supposed to relate to an old verse from the bible or something, but I feel most people would see that part as offensive,
and maybe that is one of the reasons why this film has been pushed into obscurity. The film also has a vibe similar to some of Lucio Fulci's films, and similar to a Mia Farrow movie called The Haunting of Julia (1977 [aka Full Circle]), and The Entity (1983). It is immensely underrated though in my opinion, and if you like supernatural horror flicks I highly recommend it. I give it a 4.75/5 ( I would have given it a 5/5 but it scared me a bit more than I thought it would, in the sense of disturbing me more than I would have liked). The film is featured in all the movie books I have including Rue Morgue Magazine's 200 Alternative Horror Films you Need to See, and it is also featured on Bravo's 100 Scariest Movie Moments. You can view the trailer below (there are some spoilers in it though):
featuring many up and coming stars as well as falling ones: Chris Sarandon, Burgess Meredith, Ava Gardner, Jose Ferrer, Arthur Kennedy, Martin Balsam, John Carradine, Eli Wallach, Christopher Walken, Jeff Goldblum, Tom Berenger, Richard Dreyfuss (as an extra), Sylvia Miles, and Beverly D'angelo. This film's story may strike some of you reading about it as similar to Ghostbusters, and it is, (an apartment building in New York is used to resurrect a demon to end the world) and this movie also has a similar look and feel to Ghostbusters as well, but that only adds to the enjoyment for me because I have always wanted to find a movie with a similar vibe to it. The film is very visually striking; There are Terrifying dream sequences, and some almost iconic shots of John Carradine (his face is on the DVD cover/movie poster), and the apartment building is very old and full of character, and a lot of the rooms in the building are very lavishly furnished, also throw in the fact that the main character is a fashion model and her boyfriend's a rich lawyer, and the film has a lush cosmopolitan vibe. The film's story is very interesting to me and I wish I could say more, but I don't want to give away anything. The film is also pretty scary actually. My only gripe with this one is that during its climax when the legions of hell awake most of them are physically disfigured. Now I'm not sure what kind of message the film was trying to send with that imagery, but when I see disabled veterans and people suffering with horrible physical deformities, I don't know about you but I don't see those people as the inhabitants of hell, so I'm not sure if that was supposed to relate to an old verse from the bible or something, but I feel most people would see that part as offensive,
and maybe that is one of the reasons why this film has been pushed into obscurity. The film also has a vibe similar to some of Lucio Fulci's films, and similar to a Mia Farrow movie called The Haunting of Julia (1977 [aka Full Circle]), and The Entity (1983). It is immensely underrated though in my opinion, and if you like supernatural horror flicks I highly recommend it. I give it a 4.75/5 ( I would have given it a 5/5 but it scared me a bit more than I thought it would, in the sense of disturbing me more than I would have liked). The film is featured in all the movie books I have including Rue Morgue Magazine's 200 Alternative Horror Films you Need to See, and it is also featured on Bravo's 100 Scariest Movie Moments. You can view the trailer below (there are some spoilers in it though):
Sunday, February 2, 2014
The House by the Cemetery (1981)
I normally don't like films by Lucio Fulci, they are usually far too graphic and gory for me, and this film was no exception. Fulci's most famous film is 1979s Zombie: We're Going to Eat you! also known as "Zombi 2". Fulci's horror movies are famous for their gore (think Dario Argento's typical violence taken up a notch). Fulci also has some films famous for their Gothic imagery though, and this is one of those (the other one being The Beyond). I liked the cinematography as a whole, very similar to an Argento film, and I liked the fact that they actually filmed part/parts of this film on location in New York, because typically if foreign low budget independent movies are set in US cities, they film them in a different country and just try to get away
with it (Inferno[1980] for example). The sets and music were also really good. The adult actors were good, but the little boy annoyed me though ( they also dubbed his voice with a voice that did not seem to fit his age or looks). Plot wise I thought the story was very confusing, the boy's nanny seemed to have some sort of connection to the murders and such, but that was never really explained. The husband also had a secret and it's confusing if his secret was an affair, or something connected to the murders, not to mention the ending didn't really make much sense either (also similar to an Argento film that way). Plus I found the "monster"'s costume to be really fake, it didn't really have a face, it was horrible. And of course as I mentioned before it was far too gory for my taste, I'm talking Dead Alive (1992)[aka Braindead] levels of gore here. Too many limbs everywhere and too much bizarre mutilation, and when all that is shown, the camera sits on it for WAY too long in my opinion, a la David Cronenberg style. I give this one my lowest rating yet, a 2/5. I should also mention that like most of Dario Argento's films, and old Spaghetti Westerns, this film is dubbed in english, even though some actors and characters in it did speak english. This one is available to stream on Hulu.com, you can also view the trailer below:
with it (Inferno[1980] for example). The sets and music were also really good. The adult actors were good, but the little boy annoyed me though ( they also dubbed his voice with a voice that did not seem to fit his age or looks). Plot wise I thought the story was very confusing, the boy's nanny seemed to have some sort of connection to the murders and such, but that was never really explained. The husband also had a secret and it's confusing if his secret was an affair, or something connected to the murders, not to mention the ending didn't really make much sense either (also similar to an Argento film that way). Plus I found the "monster"'s costume to be really fake, it didn't really have a face, it was horrible. And of course as I mentioned before it was far too gory for my taste, I'm talking Dead Alive (1992)[aka Braindead] levels of gore here. Too many limbs everywhere and too much bizarre mutilation, and when all that is shown, the camera sits on it for WAY too long in my opinion, a la David Cronenberg style. I give this one my lowest rating yet, a 2/5. I should also mention that like most of Dario Argento's films, and old Spaghetti Westerns, this film is dubbed in english, even though some actors and characters in it did speak english. This one is available to stream on Hulu.com, you can also view the trailer below:
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